• Steptember
  • Steptember is a charity event by the Cerebral Palsy Alliance, which raises money for kiddies with cerebral palsy. Every year, they challenge people to take 10,000 steps a day in, yep you guest it, September. My job was to draw a big old mountain and some landscapes for the site where you log your steps.

    Also, my team at work won because we’re awesome.
  • Concept

    In previous years, there were several mountains that you could climb up. But they were all fairly samey and far too many of them.

    For this year, we just went with one mountain. So the idea is that each time your good self or someone in your team logs steps, it adds to the overall step count, which in turn moves you up the mountain. At certain spots, you pass points of interest and receive a postcard. When you get to the top, that’s pretty much it. You can feel warm and fuzzy about raising money for a good cause and getting off ya fat arse.

    It’s all about the journey anyway, not the ending. Deep.

    Once the general concept was approved, I spent a few hours doing a whole bunch of sketches for the mountain—nutting out it's scale and what would actually be on it. And yep, I use a Moleskine. I’m a wanker.
  • After this, I did a final sketch, which was presented to the client in the form of a paper prototype. Which was good, as it gave them an idea of how the online experience would play out for the user.
  • Once that was all tickity boo, I went ahead and started doing some look and feel illustrations. As you can see, the mountain changed quite a bit throughout the process. I wanted to go with a super minimal colour palette—consisting of teal, orange and purple. But it made all the different regions of the mountain, such as the forest, the peak, and so on, all look the same. Instead, we ended up going with a more realistic colour palette. Probably the better way to go. Eh.
  • The Mountain

    In the end, I didn’t have a great deal of time to finish off the mountain, which was a bit of a bummer. All I was able to do was polish up what I had started with the look and feel. Anyway, below is the final mountain, with the path and locations in. Plus, a few well sexy closeups to get a look at all them sweet deets.
  • User Dashboard

    I only polished certain areas—you never actually see the whole mountain anyway when you’re on the user dashboard. So I blocked out what you wouldn’t see and focused on the details within the visible sections.
  • Below you can see the blocked out areas of the mountain. Even though those areas wouldn’t be seen on the site, the mountain illustration itself was used in various marketing materials and that
  • But it did come out quite well in the end and I felt like I was doing a map for a Legend of Zelda game at times. I was initially inspired by this laser cut map of Hyrule, which I have on my desk at work. It has this really nice rounded geometric style about it. Plus anything laser cut is automatically great.
  • Landmarks

    The final thing was the landmarks for the postcards, which are of fantastical magical locations, just to give the experience a bit of life. Ranging from an old WWII destroyer resting over a cliff, to a magical fire temple. That’s the whole point of these illustrations really, to make what is a pretty bog standard interaction of logging steps, into a more aesthetically pleasing experience. By wrapping it up in this magical journey up the Mountain of Awesome. I don’t know if it’s called the Mountain of Awesome. But it should be. Or they could team up with the people at Mountain Dew next year.
  • I didn’t really sketch these up at all. I only did rough little thumbnails, because of the tight timing. But they came out all right me thinks.
  • Avatars

    Actually, I lied. I also knocked up a few cute little avatars if people didn't want to use a photo of their own ugly mug.
  • So there you go. You can check out the site here. And be sure to do it next year to raise some money for the children.
  • You can follow and keep up to date with my rubbish on DribbbleInstagram and Twitter, or check out my portfolio.

    Role Illustrator
    Client 
    Cerebral Palsy Alliance
    Studio Digital Eskimo
    Credits Ben Hoh (Creative Director), Sash Singh (Interaction Designer)


    2015